Category Archives: Just for Fun

Borders: You Break My Heart (Publisher Rant)

By now the entire world knows of the struggles and woes of Borders Corp. The bankruptcy, the closed stores, the dishonor. Yes, there is a crapload of dishonor.

Let’s talk about the bankruptcy first. The result of the latter mentioned issues have put the superstore company in grave danger of total destruction. Please keep in mind that this is only my take on the situation, but observations I have been establishing for many years. Borders claims to have run out of money, unable to pay their rent, or their vendors. They continue to order books from authors and publishers when they have no money to pay for them. Of course it has been my experience that they stopped paying their bills long before the bankruptcy. There have been plenty of complaints and actions against them for just this. This lack of money has fueled the fire under their big skillet.

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Quite some time ago, readers were fortunate to have the option of going to Waldenbooks within their local malls to browse and buy books. Then everything at Borders changed and they began to kill off the Waldenbooks, first slowly, then whoosh, they were gone. These little gems of comfort and the only good service you could get from a Borders corp store were eliminated. Employees who had been in these stores for years and built relationships were uprooted and given the heave-ho. Readers lost their havens and publishers and authors lost many valuable places to actually sell books. These Waldenbooks either disappeared or were replaced by the little fart stores called Borders Express. We all know Borders stores as big superstores with lots of employees who have no idea what they sell or where to find most of it. Borders followed their misguided instincts and filled many of these locations with employees who neither understood or cared about the book business. How sad. Now, they have closed hundreds of their express and superstores.

Finally, there is the dishonor. Having built a reputation for bad customer service in their stores, they have gone on to excel at even worse service and tactics on their website, including Kobo. With the rise of eBook sales, it is only natural that Kobo use this venue to help finance its floundering company. Everyone knows that the distributor/reseller makes the bulk of the money with regard to eBook  sales. Yet, Kobo has felt it necessary to stick a red-hot poker into the eye of the very people who feed its coffers. The publishers and authors. Many other online sellers of eBooks have very strict rules about competitive pricing. If you price an item with them it cannot be priced any lower elsewhere. If it is, they will reduce their price to meet the competitor. Not that big of a deal, unless said discount affects the income potential from the other venues. Say you have a base retail price you must pay: $2.99 to receive a 70% royalty (this is part of a pricing agreement with the vendor that is not Kobo), which a publisher then shares with the author in the form of royalties. Kobo comes along (knowing full well what will happen when they price the $2.99 book at $2.69) and discounts the book, hoping to gain the support of the reader by charging less. What they have actually done, is they have forced the other venue to discount the retail price to meet the lower and knocked the item down from a 70% royalty to a 35% royalty for the publisher. It is not easy to split 35% of $2.69 with an author and keep them happy.

What Kobo doesn’t understand that when they back a publisher into a corner like this is that they force certain actions. One thing that could happen is that a publisher could remove ALL of its titles from the Kobo venue, thereby giving Kobo and Borders what they deserve: ZERO!

Another thing that could happen is that a publisher could write a scathing Blog post asking readers and eBook buyers NOT to make purchases from Kobo because it would kinda make them an accessory to premeditated robbery. That publisher could also ask readers to tell their reader friends who may not read said Blog about the unethical tactics of Kobo.

One would have to ask though, why Borders execs are not smart enough to know that if they want to save their sinking company they should be making friends and not bending publishers, authors, and readers over the proverbial cash counter without giving them flowers first.

 

All Depends on How You Look At It (Marc Vun Kannon)

This is my last blog tour stop before my latest novel, St. Martin’s Moon, becomes officially available, and I will be in South Carolina at their Book Festival in Columbia (May 14 – 15, 2011) on that happy day (Sunday, if you must know). And I hope you must, since I’d really like for you guys to be there to help me celebrate the official release of the world’s first Gothic SF novel. I invented the category, so I oughtta know. There are other SF novels written in the Gothic style, but they go the usual route of assimilating all the Gothic stuff into the SF trope of the day (it’s amazing what you can blame on biotech and some nanobots in a low-gravity environment). St. Martin’s Moon isn’t one of them.

I’ve spent literally years trying to figure out how to describe this book. I could do one-liners, what they call taglines. I could do two-liners, the sort of short description you’d find in a TV guide, what they call a logline, but don’t ask me why ‘cause I don’t know. I even came up with a good back-cover description. But anytime I get closer to the plot than that I get tangled in all the strings.

The reason for the confusion, I decided, was in the genre I was using to categorize the damn thing. Why would a mere genre category do that, you ask? How could it? Well, genres are a sort of shorthand, a kind of box we put stories into so that someone looking for a story of a particular type can find one easily. The problem comes when a story doesn’t really fit into any particular type. Then the shorthand becomes something of a straitjacket. One would think a novel with werewolves and ghosts in it would fit neatly into the heading of a paranormal. Since it took place on a lunar colony it clearly was futuristic, right?

Yeah, me too.

While the story does have werewolves in it the story really isn’t about them, it’s about the people who become them. How do they live with the curse? Where does the curse even come from? Why does the Moon matter, and a full Moon, at that? These are all questions that the main character, Joseph Marquand, Earth’s greatest werewolf hunter, would like to know the answers to, because he hates his job. Killing the wolf means killing the man, usually an innocent man. When his latest case involves a werewolf attack on the Moon itself, it drives these questions from his mind in favor of something more immediate, but not far, not far at all.

In short, the story is more futuristic than paranormal, and more SF than merely futuristic. SF looks for answers, takes for granted that there are answers, which gives it something in common with the mystery novel St. Martin’s Moon was originally conceived as. Except that SF doesn’t allow for ghosts. It could handle werewolves, I think, since they have a trigger and are stoppable. Ghosts somehow don’t seem to fit into the same bucket. There’s a reason for this, I think, and I don’t think science will ultimately be able to account for ghosts any more than they’ll make a truly AI computer. So SF is fair game, in my opinion, to have a few genuine ghosts appear in its otherwise unhaunted halls. If I could have worked in a dark and stormy night I would have, but hey, it’s a lunar colony we’re talking about here. A haunted one.

Like many writers, I started when a story came along and decided that I should write it. Don’t ask me why. Others followed, until now I’m afraid to go out of the house with a recorder or notebook in my hand. But I show them, I refuse to write the same story twice!

You can also check out his really cool Blog

Other things to read by Marc Vun Kannon:

Unbinding the Stone
A Warrior Made
Ex Libris
Steampunk Santa
Bite Deep
Chasing his own Tale

What I Didn’t Know Before Selling a Book (Kaye George)

1) How much time–and energy–the initial promotion would take. And how much brain drain. Honestly, some days I feel like I did when I was pregnant: searching for words, dropping things, driving badly. It’s becoming clear that I’ll have to devote more than one day a week to promotion.

2) That you have to give away books in order to sell them. And this is without any promotional give-aways (except for a couple so far). This is for reviewers who don’t want to read the digital copy I have that’s meant for reviewers. I can’t say I blame them. I can’t read a book on a computer either. If I didn’t have an e-reader I would have to request a hard copy, too. I’m thinking there might be a better way to get a hard copy out, though, than to give away my precious books. This requires more thought, and with that drained brain, too.

3) That perfect strangers will somehow find my book and want it autographed. This has actually happened at the two conferences I’ve been to recently! And it’s VERY fun!

4) How much I’d be itching to work on my current work-in-progress, almost to the point of resenting the marketing efforts and the conventions I’ve attended for promotion of the published book. Writers are strange people.

5) How much fun it is to attend a convention as a published author, even while longing to be working. CHOKE: An Imogene Duckworthy Mystery was released May 1st by Mainly Murder Press and is available at the publisher, from Amazon and Barnes and Noble, as well as through Ingram Book Company.

By Choke at: Amazon.com or BN.com

Kaye George, an Agatha nominated short story writer, is the author of CHOKE, published by Mainly Murder Press, as well as A PATCHWORK OF STORIES, a collection of her previously published stories. FISH TALES: THE GUPPY ANTHOLOGY (eBook) contains her story, “The Truck Contest.” She reviews for “Suspense Magazine,” and writes for several newsletters and blogs. She, her husband, and a cat named Agamemnon live together in Texas, near Austin.

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