Talk, talk, talk, with Jen Wylie

I am usually a very sun shiny person, however since I’ve gone into super-editing-mode some things have started to drive me nuts. Today’s rant: Character names IN dialogue. Dialogue is one of the most important parts of a story. It needs to be done well and believably!

A crude example:

Sally walked into the kitchen. “Hi, mom.”
“Good morning, Sally!”
“Did you sleep well, mom?”
“You know, Sally, I actually did!”
Sally smiled. “That’s awesome, mom!”

A bit overdone, but are you getting the picture? Pay attention to the next time you have a conversation with anyone, in person or on the phone. Names and even endearments are RARELY used. When they are, it is often at the beginning of a conversation or sparsely within it. In real life names are also used to get a person’s attention, sometimes to single out one within a group. Names are also used in admonishment, such as, “Oh John, you so did not just say that!”

Writers often have a tendency to overuse names in dialogue, perhaps partly to indicate who is speaking to whom. However this is often unnecessary when a conversation is between only two characters. Within a scene with a number of people this can be better done using tags and simple writing; Sally turned to her mom, mom swatted dad on the shoulder, John glared over at dad, etc.

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Please pay attention in real life and make your dialogue as believable as possible, otherwise I’ll be forced to throw rainbows at you. 😛

Jen Wylie is the author of Jump, an Echelon Press Short Story with more work coming soon. Visit her website or her blog for more information.

Said…schmaid!

As a writer, I make all kinds of mistakes. It happens, I am human. I do try to clean them up before letting others read my work, but sometimes things slip through.

As a reader, I am always annoyed by mistakes in books, especially stupid mistakes. I understand that mistakes will happen, no one is perfect, but there are limits.

As an editor, I have numerous authors royally peeved with me right now because I have taken up a new crusade. Dialogue tags. You know, the things at the end of sentences that are supposed to clarify who is speaking. Okay, the key word here is clarify.

If it is already clear who is speaking, you DON’T need a dialogue tag. An action, perhaps. But you need not include he asked, she said, he queried after every bit of dialogue. It is ANNOYING!

Then there are the things I really hate.

These are things I was taught.

You don’t need a dialogue tag when you use an exclamation point. It is redundant.

No: “Get off me!” he shouted.
Yes: “Get off me!”
Maybe: “Get off me!” He shouted so loud everyone in the room stopped to stare at us.

Same thing with the question mark.

No: “Where did you get that gun?” he asked.
Yes: “Where did you get that gun?”
Maybe: “Where did you get that gun?” Michael asked the question looking very concerned.

Then there are the absolutely ridiculous dialogue tags: (dictionaries may disagree with this, but this is my rant, not theirs)

This is a HISS–no words, just sound

he hissed (try and say something while you are hissing. Hissing is a sound.

he giggled (again, can you say things when you are giggling?)

he grimaced. (Really people? This is a facial expressions–see J.R. Turner’s post on smirking)

she guffawed. (okay, I use she here instead of he because okay, a guffaw is kinda like a hearty laugh. Even if it was okay, most women don’t guffaw, men do.)

he groaned. (again with the noise, not s way of speech.)

A sigh is a physical action, not a dialogue tag. 

Can you speak when you are Guffawing?

A gasp is a physical action, not a dialogue tag. 

A breath (breathed) is a physical action not a dialogue tag.

I am pretty much opposed to any dialogue tag that begins with “he, she, they” because generally speaking the tags are not needed. it is just fluff, filler, extraneous words, poppycock.

And yet, almost EVERY SINGLE manuscript I read has hundreds of instances of these types of things. It’s crazy I tell you!!!

 

Jaded Visions by T.L. Jones

Ran across a book that looks interesting. I will have to seek it out and see if it is as good as it looks. Maybe you should buy it and in a while we can meet back here and discuss it? Who’s in for a Publisher Book Club??

JADED VISIONS

Seeing is Believing, Believing is Knowing!

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In the new explosive thriller by T. L. Jones, Jade Hamilton is barely staying one step ahead of a ruthless killer. Paranormal visions have been a part of her life since she was ten, this time her visions put her in the middle of a murder. Jade has to keep six year old Emmie Linderhoff safe from this killer, as well as, keeping herself out of jail for kidnapping.

Jade runs with the child after the girl’s parents are murdered and along the way she meets St. Joseph’s most eligible bachelor, Detective Ryan Douglas. Ryan, along with his partner, try to help Jade solve this case before another murder occurs. As they become more involved in the case, they begin to realize that their feelings for each other are growing as quickly as the fear that they won’t find the killer in time!

In this exciting, on the edge of your seat thriller, join Jade Hamilton, Emmie Linderhoff, and Ryan Douglas in a run-for-your-life mystery filled with lots of twists and turns.